POETRY Isa Guzman POETRY Isa Guzman

Sé Que Mi Cuarto es un Desastre / I Know My Room is a Disaster

It all begins with an idea.

By Isa Guzman

            face down       no words dust on el espejo

cluttered suicida y books       left in piles

            spines out                   repeating mismo dias

            spines out       misreading myself psicosomática

                        reread my respiración

reread headlines y ostras cosas

                                    I wish I could sleep

en las palabras            and find a truth to feel comfortable in

            pero beso the inside of my arm

                                    para sentir mi propia temperatura

me siento frío                         but I feel hot

            no thermometer to read the time it takes

                        for the sirens to pass

y las sirenas    es código for i am pale lonely

            por otra semana         y llamame una vez

                        llamame y voy saltare por esta ventana

                                    head first into waiting out fever

            quiero tocar mas que aire y voz

            quiero tocar mas than empty take-out containers

I want to hear time

                                                wrapped en ceniza de salvia

                                                y plumas vacías

                                                y páginas con todos los nombres for love

I want to hear everyone survived

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POETRY Mari Pack POETRY Mari Pack

Salt Wife

It all begins with an idea.

By Mari Pack

Among the Rabbis, there is some debate:

What damned the sinners?
Men, their mouths open — hunger,
hunger, hunger. Hands, asses, thrusting —
frantic as questions. Sex —
always to blame.

Or an issue of hospitality?
Give us your guests
said the mob at the door,
but Lot jammed the lock, offered
his own daughters, hair rolling down
their backsides
like lace.

Who could miss this city?
They say Lot’s wife. She turned, so they say
she liked it.

No, I disagree.

That’s the thing about women,
always looking backward
to see what we’ve lost:
What did she face in her doubt?

Was it smoke rising
like jellyfish,
an unmistakable smell of eggs?

I turned to wave at the terminal —
whistle of wind through a pillar of salt.

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POETRY Clare Needham POETRY Clare Needham

Mary, Paris, Texas

It all begins with an idea.

By Clare Needham

Watching the Wim Wenders film with Mary when we were twenty-two and in Berkeley  – she’d wanted to show it to me, she knew I’d like it. The first minutes of the film, Aurore Clément’s French pronunciation, “Chris – But, Chris!” – and the car with its lights climbing a hill at dusk, purple, rose, blue – “Those lights!” Mary said, and I felt them, too. This was the same week she had me sit next to her in the dark and watch Gregg Araki’s Mysterious Skin. One boy believes aliens abducted him. The other boy knew what was up, and made a life from selling sex. The next morning Mary and I reported nightmares, both saying we didn’t know why.

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